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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)小草影院韩国电影神马影院光棍影院星空影院曼联重生钓鱼迷日记5维纳斯远去的牧歌横滨邻居第一季早安，冬日海绿色星球圈养危情实录星际旅行2：可汗怒吼玩命警探7总统之路皇帝也风流天蚕变之布衣神相国语好事多磨2024女性秘密What's up老九门阿尔法男第三季火柴人2025鬼吹灯之怒晴湘西2019电影梦宅诡影
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)小草影院韩国电影神马影院光棍影院星空影院曼联重生钓鱼迷日记5维纳斯远去的牧歌横滨邻居第一季早安，冬日海绿色星球圈养危情实录星际旅行2：可汗怒吼玩命警探7总统之路皇帝也风流天蚕变之布衣神相国语好事多磨2024女性秘密What's up老九门阿尔法男第三季火柴人2025鬼吹灯之怒晴湘西2019电影梦宅诡影