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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”小草影院韩国电影神马影院光棍影院星空影院最后的警官：夺还妈妈别哭2012天堂岛疑云第十四季死后埋葬我了不起的麦瑟尔夫人第一季皆大欢喜1981小楼的奇幻生活吕不韦传奇隔窗恋爱：看着你惊叫大电影五十度黑2015偶像升级计划神迹2022花女的抗战调音师我的双面童年红胡子协商的技术一个近乎完美的村庄死亡高潮晚餐的约定年轻一代第一季精英部队2：大敌当前会计刺客快活林乐士浮生录
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”小草影院韩国电影神马影院光棍影院星空影院最后的警官：夺还妈妈别哭2012天堂岛疑云第十四季死后埋葬我了不起的麦瑟尔夫人第一季皆大欢喜1981小楼的奇幻生活吕不韦传奇隔窗恋爱：看着你惊叫大电影五十度黑2015偶像升级计划神迹2022花女的抗战调音师我的双面童年红胡子协商的技术一个近乎完美的村庄死亡高潮晚餐的约定年轻一代第一季精英部队2：大敌当前会计刺客快活林乐士浮生录